From the Studio

The Journal

Notes on craft, materials, process, and the quiet ceremony of making. Written from Kalyani, West Bengal — irregularly, and only when something is worth saying.

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Materials

Paraffin, beeswax, and the honest truth about what burns cleanly

Every wax has a character. After six years of working with both, here is what I have learned about choosing the right one for the right piece.

Collection

The 2024 Diwali Collection — light as language

Every year, Diwali asks the same question: how do you make something that already means everything feel new? This year we answered with form instead of decoration.

Behind the Studio

How I source fragrance oils — and why I keep coming back to the same three suppliers

Fragrance is the invisible half of a scented candle. Finding oils that are both safe and complex is one of the quieter crafts within the craft.

Technique

Sculpting in wax: the five-minute window that makes or breaks a flower

Warm wax is clay. Cool wax is stone. Every petal, every curve, every texture exists in the narrow window between those two states. Here is what that feels like.

For You

What actually happens when you place a custom order

A custom candle is not a product picked from a catalogue. It is a conversation, a brief, a sample, and finally a made object. Walk through the whole process.

Roots

মোমবাতি — what the Bengali word for candle carries with it

The word মোমবাতি is two syllables older than the studio. Unpacking its etymology led me back through centuries of Bengali domestic life, ceremony, and light.

More writing is always underway. The studio is small and the work comes first — but words accumulate. Come back when the light changes.